![]() ![]() She gave me a sort of a pep talk and told me about this animation studio called Animation Domination High Def that was looking for animators. I’d helped her with one of her student films when we were in school, and she was doing way better than me as a professional artist. She’s the creator of the show I’m working on now(The Owl House). Dana Terrace was the one who dragged me out of that. I ended up working in a tire shop for a while, actually. I was having a hard time finding any sort of work, let alone artistic work. I thought maybe I could learn how to make animation like that at school.Where did you start your professional career and how?Spencer: So after I dropped out of school I spent a year sort of just wandering around and doing very little with my life. I’d intended to major in illustration when I got into college, but I ended up swapping to animation at the last second because I couldn’t get his work out of my head. I used to watch it with my friends in high school and I’d never seen anything like it before. I got into animation after seeing Norio Matsumoto’s work on Naruto. ![]() I’m not great at talking about myself.Okay, I’m 25 years old and I’m from a small town in the Deep South. ![]() Conducted on behalf of AnimeTherapy and originally posted on their website. First tell me a bit about yourself and how you started with animation.Spencer: You know, that might be the only question I wasn’t prepared to answer. Other than Castlevania, where he animated, AD’ed and directed episodes even, he also worked on Boruto and Invader Zim among others. The scene he is best known for is the abstract black-lines-only part of the opening, but he had remarkable participations in many other known projects despite his young age. I myself had all sorts of questions after watching Castlevania, and seeing that Spencer Wan was so active on Twitter I thought I might try asking him, what resulted in a long interview. ![]()
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